"Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. Fleda smiled again. "I haven't the least idea."!

"You've come down to it, miss, already?" "She would if Owen had described your outbreak to Mona."

She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression. That she desired to ask no questions Mrs. Gereth conscientiously proved by closing her lips tight after Fleda had gone to London. No letter from Ricks arrived at West Kensington, and Fleda, with nothing to communicate that could be to the taste of either party, forbore to open a correspondence. If her heart had been less heavy she might have been amused to perceive how much rope this reticence of Ricks seemed to signify to her that she could take. She had at all events no good news for her friend save in the sense that her silence was not bad news. She was not yet in a position to write that she had "cut in;" but neither, on the other hand, had she gathered material for announcing that Mona was undisseverable from her prey. She had made no use of the pen so glorified by Mrs. Gereth to wake up the echoes of Waterbath; she had sedulously abstained from inquiring what in any quarter, far or near, was said or suggested or supposed. She only spent a matutinal penny on "The Morning Post;" she only saw, on each occasion, that that inspired sheet had as little to say about the imminence as about the abandonment of certain nuptials. It was at the same time obvious that Mrs. Gereth triumphed on these occasions much more than she trembled, and that with a few such triumphs repeated she would cease to tremble at all. What was most manifest, however, was that she had had a rare preconception of the circumstances that would have ministered, had Fleda been disposed, to the girl's cutting in. It was brought home to Fleda that these circumstances would have particularly favored intervention; she was quickly forced to do them a secret justice. One of the effects of her intimacy with Mrs. Gereth was that she had quite lost all sense of intimacy with any one else. The lady of Ricks had made a desert around her, possessing and absorbing her so utterly that other partakers had fallen away. Hadn't she been admonished, months before, that people considered they had lost her and were reconciled on the whole to the privation? Her present position in the great unconscious town defined itself as obscure: she regarded it at any rate with eyes suspicious of that lesson. She neither wrote notes nor received them; she indulged in no reminders nor knocked at any doors; she wandered vaguely in the western wilderness or cultivated shy forms of that "household art" for which she had had a respect before tasting the bitter tree of knowledge. Her only plan was to be as quiet as a mouse, and when she failed in the attempt to lose herself in the flat suburb she felt like a lonely fly crawling over a dusty chart. By the day's end it was clear to Fleda Vetch that, however Mona judged, the day had been determinant; whether or no she felt the charm, she felt the challenge: at an early moment Owen Gereth would be able to tell his mother the worst. Nevertheless, when the elder lady, at bedtime, coming in a dressing-gown and a high fever to the younger one's room, cried out, "She hates it; but what will she do?" Fleda pretended vagueness, played at obscurity and assented disingenuously to the proposition that they at least had a respite. The future was dark to her, but there was a silken thread she could clutch in the gloom—she would never give Owen away. He might give himself—he even certainly would; but that was his own affair, and his blunders, his innocence, only added to the appeal he made to her. She would cover him, she would protect him, and beyond thinking her a cheerful inmate he would never guess her intention, any more than, beyond thinking her clever enough for anything, his acute mother would discover it. From this hour, with Mrs. Gereth, there was a flaw in her frankness: her admirable friend continued to know everything she did; what was to remain unknown was the general motive.